Towards Infinity: Works by Imants Tillers, curated by Charles Merewether
Museo de Arts Contemporaneo de Monterrey, Mexico
24 September 1999—7 January 2000
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Installation view
View fullsize

Conversations with the bride, 1975
View fullsize

Four impressions, the texture of meaning, 1980
View fullsize

Two paintings, hidden from view, 1983
View fullsize

Spirit of Place, 1983
View fullsize

The Vortex, 1984
View fullsize

Heart of the Wood, 1985
View fullsize

Monitor and Ion, 1986
View fullsize

The Nine Shots, 1985
View fullsize

The Fountainhead, 1986
View fullsize

The Hyperborean and the Speluncar, 1986
View fullsize

When False is True, 1985
View fullsize

Untitled (Conflict and Resolution), 1987
View fullsize

Mechanical Reproduction with Screen, 1987
View fullsize

Untitled (Art + Language), 1987
View fullsize

Periphery, 1987
View fullsize

Untitled (Parsifal), 1987
View fullsize

Counting: One, Two, Three, 1988
View fullsize

Poem of Ecstasy, 1988
View fullsize

Portrait of a thought which bypasses everything, 1989
View fullsize

Towards the Shining Light, 1989
View fullsize

Inherited Absolute, 1992
View fullsize

The Pursuit of Happiness, 1990
View fullsize

Premonition (My Initials and the Triangle of Doubt Prefigured), 1992
View fullsize

The (Abbreviated) Bridge of Reversible Destiny, 1990–1999
View fullsize

Drift, 1994
View fullsize

Solutions, 1991
View fullsize

Izkliede, 1994
View fullsize

Whorl, 1991
View fullsize

Telepathic Music, 1994
View fullsize

World Without Words, 1995
View fullsize

Aftermath I, 1997
View fullsize

Monaro, 1998